Wednesday, April 27, 2011

Mappillai


Cast: Dhanush, Manisha Koirala, Hansika Motwani, Vivek and many
Director:   Suraj
Music:  Mani Sharma
Genre: Action Drama

Suraj, not wanting to risk, tries his same old hero-comedian pair from Padikadhavan in his latest film Mappillai. The movie is a remake of the Rajini's 1989 Mappillai, true to the name the lead actor Dhanush is the Mappillai (son-in-law) of the original flick's hero.

The film is all about the ways a hero can express his heroism to his dictating mamiyar (mother-in-law). The movie is about a rowdy like hero falling into love with an equally tough women's daughter, this women also happens to be a rich business magnet. The rest of the story is packed full with clashes between the son-in-law and the mother-in-law.


Saravana (Dhanush), is portrayed as a obedient, regular temple visitor at the beginning of the movie, even the introduction song is a temple festival dance ("Aaru padai" a colourful song sequence). Child Chinna (Vivek) happens to be his neighbor. Vivek has done a childish job as a comedian, people get irritated by the comical sequences in the first half and the style of speech was the worst I have heard. Vivek tries to criticize the present day youth's fashion, by wearing dresses which no one would even dare to look at, this is a over dose of advise to the young, although he manages to get a few claps in the second half where he dons a billionaire Sivaji look.


Chinna asks the hero to help him with Gayathri (played by Hansika Motwani). Just as usual, the hero manages to get the heroin and the comedian looses, yet he remains loyal to the hero in the rest of the film.


At first the heroine's mother Rajeshwari (played excellently by Manisha Koirala), decides to make Saravana her mappillai, falling for his innocent, harmless, obedient and  servant like appearence. But, once the actual terror and rowdy face of Saravana is revealed by one of her politician friend with a "Kuthu song" she arranges the marriage with someone else. Knowing this, our hero hijacks the marriage and marries Gayathri, and leaves the marriage hall walking in the side leaving place for the words "INTERMISSION" in the screenThe rest of the story is Saravana's plight to keep his mamiyar from separating the new couple.


The word "Mappillai" comes as often as possible to wake the audience and make them remember the name. The second half gives a lot of scope for punch dialogs, and every situation is seized and a punch is imparted. Our heroine suffers a lot with the language and her struggle to keep her face in accordance with the dialog is very apparent, and when the pushing point comes she either smiles or laughs, which the director thinks the audience won't mind, (so please don't mind). Dhanush has given the best he can, but with a film like this nothing can be done to make the film look better. The rhymes our hero delivers falls in the most unwanted situations, the other face of the hero hardly surprises the audience. Manisha Koirala, does a good job and manages a respectable amount of claps in the story, one can't find why the director tries to make her as young as the heroin, being her mother. The reason for the yellow glow in Manisha's face in the second half remains a mystery. The director has given a lot of questions to think about, for the audience like, "Where does the money come from to do all this?", "When did he prepare for  this stuff?" and so on, oops and not to miss the main Tamil commercial movie, million dollar question "HOW DID HE DO THAT?"


Overall the film is worth a watch if your below ten, and for others, better reconsider you choice!


And, the last words,
Never worry dear Dhanush fans , the banner will take the movie, or at least push the movie for a respectable period of time.


  

Tuesday, January 25, 2011

Aadukalam

Cast: Dhanush, Tapsee, Kishore, Jayabalan and many
Director: Vettrimaran

Music:  GV Prakash Kumar
Genre:  Drama





Vettrimaran is back with his two successful actors Dhanush and Kishore in his second film "Aadukalam". In this film the director has made every scene as practical as possible, giving Sun Pictures a sudden transition from their previous film (Endhiran). Dhanush takes up a typical Madurai-born avatar and fits in well.

The film is centered on Rooster fight, where elements like love, friendship, fun, and betrayal revolve around it. The film is split (exactly) into two. The first half is about the scenario of Madurai's Rooster Fight craze through ages, and the second is packed with ego clashes and betrayal. 

Petaikaran (Jayabalan) is a rooster fight trainer, and victorious person who had never lost in a match. He is always with his followers Karuppu (Dhanush), Durai (Kishore) and a gang of rooster trainers and breeders. Rathnaswamy (Naren) a police, who is also a rooster trainer is determined to win Petaikaran. Irene (Tapsee) an Anglo Indian girl happens to meet K P Karuppu, and he falls for her. Dhanush's scenes with the heroine are the ones which impart comedy and colour between the action and tragedy fueled film.

The police Rathanaswamy considers winning Petaikaran as his family's pride. Though he tries to follow ethical means to win the fight, he is lured by his cronies, to follow the shorter route to win the sport. A tournament is held by Petaikaran, and it is a serious one as pride gets involved. The first few matches are won by Petaikaran's team, but, after the police imports roosters from Banglore, and uses steroid like medicines on them, the fight becomes difficult. Dhanush enters at this situation to save his master's pride and wins the matches after a lot of risks and rejection of his master's cautions. Dhanush becomes the hero of the town. This ignites anger and ego in Petaikaran's mind. The rest of the story is the clashes of ego and life or death fights where roosters are replaced by humans.

The scenes where Karuppu tries to impress Irene are wonderfully taken. The helps and tips from friends and companions to impress her are cute, like the one where Durai gives his bike at the mid-night and takes picture of them in a cell phone, and the one where Petaikaran innocently suggests giving malli (jasmine) to her on their meeting not considering the fact that she is a modern Anglo Indian girl.

The rooster fights are awesome and seems real. The depiction of trainer-rooster bond is mind blowing. These fights are shown as fights between the talents of the trainers than the fitness of the roosters. Coming to the human fights, which pops up in between the first half and makes the whole climax, are practical and logical, and are made to look like local street fights without sacrificing heroism. The infinite stamina of the hero at the climax can be forgiven for these practical fights.


The songs fall at right timing. Excellent job by the choreographer, though the steps aren't the professional dancers kind, they suit well for a carefree Madurai youth. 

Standing in the line separating the commercials and the non commercials, this is a decent, worth a watch film.


Thursday, October 7, 2010

Boss Yengira Baaskaran

Cast: Arya, Santhanam, Nayanthara, Saravanan and many
Director: Rajesh
Music: Yuvan Shankar Raja
Genre: Comedy





In his second film very much similar to the first SMS (Siva Manasula Sakthi) Rajaesh had experimented with a very different crew and had succeeded in entertaining (and tickling) the viewers. Arya after his serious role in Madrasapattinam had relaxed in Boss as Boss.

Baskaran's brother Saravanan (Subbu Panchu) is a veterinary doctor and the one who runs the family since his father had died. Baskaran, a city cruiser, not even finished his degree arrears with no work to do (added qualification for Tamil comedy entertainer) meets Chandrika (Nayanthara) in one of his arrear attempts. Boss's friend Nallathambi (Santhanam) owns a Saloon which is the hang out for our hero. 

Boss falls in love with Chandrika, who also happens to be his brother's sister in law. Boss and Nallathambi join hands to make Boss a well earner for the sake of marrying Chandrika. This plight of the two builds up the story.


The first few meetings of Arya and Nayanthara are too coincidental to be believable, but the dialogs and the comical back ups manage to erase the flaws.

The location selection is awesome, temples and ponds filled Kumbakonam is where the film progresses. Santhanam's slapsticks are sure clap gainers. Santhanam this time, had managed to reduce his vulgar and hurting (what-many-calls) comedy. 


Tamil film culture of having hero's friend getting into trouble all the time with hero escaping is re-written. The guest appearance of Jeeva, and Shakila could be avoided, but as our hero says "idhalam jagajam".


With maximum possible importance to people other than the hero, wonderful comedy sequences and justice to heroine's salary this film is a guaranteed family entertainer.


A lot of worthy movies had vanished into commercial cloud hope this one escapes the Endhiran mania. 

Tuesday, August 17, 2010

Thillalangadi

Cast: Jeyam Ravi, Tamanna, Shyam, Vadivelu, Santhanam, Prabhu and many
Director: Raja
Music: Yuvan Shankar Raja
Genre:Commercial entertainer





Raja is back with his brother for a new Telugu remake ('Kick' to 'Thillalangadi'). This time Ravi is given a chance for a pure commercial film which is completely different from his previous movies.

In the movie, Jeyam Ravi breaks up with Tammanah, who expects him to be responsible and truthful, which is like stopping a train with left hand for Krishna (Jeyam Ravi). Our soft and calm Shyam dons a completely different role as a sincere and successful police officer, who is on a mission to catch a thief in town (Chennai) The thief not different from any of the thieves in South Indian cinema does theft intelligently and escapes without much useful clues.

Tammanah and Shyam are about to get married and its thier first meeting. They speak about their lives, likes and dislikes (this is where Ravi pops in) in a metro train of Malaysia (a brand new country as location in Tamil Cinema). The reason for Tamil police Shyam in Malaysia is for catching 'The Intelligent Thief' and Tammanah is here to meet her probably 'to be', would be (Shyam).

The further progress of the film depends on Shyam's mission to catch the thief, and instability of Tamannah to marry Shyam by the unexpected presence Ravi.

The age old triangular love customs is avoided as much as possible in the film. Though being an action comedy, heroism is at the least. With less fight scenes (only two) and much importance in comedy adds credit to Thillangadi.

To know the further building up and see Santhanam (A memory loss patient who assumes himself a Doc) and Vadivel (Jackie, a family man in search of love) at their work grab a ticket and watch the movie.

A can watch for NON Tammanah, Jeyam Ravi hardcore fans.
For the others: Machan Padam Gethu da paarthey aaganum.